wetwareproblem:

medievalpoc:

gastly-ghoul-rain:

sweaterkittensahoy:

postmodernmulticoloredcloak:

aeacustero:

samandriel:

kendrajk:

Informative Ancient Egypt Comics: BROS

Our 1st place contest winner requested a Niankhkhnum and Khnumhotep comic as their prize.

I took a class about Ancient Egypt last semester and we had a whole lecture dedicated to talking about how gay Niankhkhnum and Khnumhotep were.
Their tomb walls were decorated with scenes of them ignoring their wives in favor of embracing each other. In one scene, the couple is seated at a banquet table that is usually reserved for a husband and wife. There’s an entire motif of Khnumhotep holding lotus flowers which in ancient Egyptian tradition symbolizes femininity. Khnumhotep offers the lotus flower to Niankhkhnum, something that only wives were ever depicted as doing for their husbands. In fact, Khnumhotep is repeatedly depicted as uniquely feminine, being shown smaller and shorter than his partner Niankhkhnum and being placed in the role of a woman. Size is a big deal in Egyptian art, husbands are almost always shown as being larger and taller than their wives. So for two men of equal status to be shown in once again, a marital fashion, is pretty telling. Not to mention they were literally buried together which is the strongest bond two people could share in ancient Egypt, as it would mean sharing the journey to the afterlife together.
And yet 90% of the academic text about these two talks about these clues in vague terms and analyze the great “brotherhood” they shared, and the enigma of Khnumhotep being depicted as feminine. Apparently it’s too hard for archaeologists to accept homosexuality in the ancient world, as well as the possibility of trans individuals.

On the last note, I was walking around the Field Museum of Natural History in Chicago and there is a mummy on exhibit. It caught my attention because the panel that was describing it was talking about how it was a woman’s body in a male coffin and wow, the Egyptian working that day really screwed that up. My summary, not actual words, sorry I can’t remember verbatim but it basically said that someone screwed up.

They claimed that the Egyptians screwed up a burial.

The Egyptians. Screwed up. A burial.

Now I’m not an expert in Ancient Egypt but from what I know, and what the exhibit was telling me, burials and the afterlife and all that jazz DEFINED the Egyptian religion and culture. They don’t just ‘screw up’. So instead of thinking outside the box for two seconds and wonder why else a genetically female body was in a male coffin, the ‘researchers’ blatantly disregard the rest of their research and decided to call it a screw up. Instead of, you know, admitting that maybe this mummy presented as male during his life and was therefore honorably buried as he was identified. But it would be too much of a stretch to admit that a transgender person could have existed back then.

(Sorry I can’t find any sources online and it’s been like 2 years but it stuck in my mind)

There’s a lot of bigoted historian dragging on my dash these days and it makes me happy.

Once again, more proof that we queers have ALWAYS been here, and it’s a CHOSEN narrative to erase them.

@temple-of-rah

I am reblogging this for the lols as well as a very accessible and engaging reminder that every historical narrative is created by human beings interpreting existing evidence and will necessarily reflect their biases, experiences, cultural norms and taboos.

Human objectivity is a myth, and until we have diversity present and speaking out in and across all disciplines, the truth will remain obscured.

On the “female mummy in a male coffin” thing: This becomes extra sad when you realize that we have actual primary-source documentation of three genders in ancient Egyptian culture.

And yet literally everything is filed as “male” or “female” and crossing of the two is treated as a mistake.

@niczka

history-has-its-eyes-on-me:

blatantnerdery:

jaegerdelta:

octopusheart:

feelingswithbrandy:

ms-kawaiisammy:

She’s so cute and positive and she’s such a sweetheart

Oh my god????

My chest just got so tight and I think I’m going to cry she looks like me

A FAT SUPERHEROINE OH MY GOD LET ME LOVE YOU IM GONNA CRY TOO

Crying. This is why representation is so important. Representation of all kinds. Also she’s perf and I love her forever even though I just heard of her for the first time.

The comic is called ‘Harbinger’!!!!

cukepraetorius:

tastyhumanburgers:

snorlaxatives:

snorlaxatives:

in an interview cara delevingne stated that “generally comicbook films are sexist” and comicbook moviegoing fans responded by saying things like “no one cares what she says” and “stfu stupid bitch” thus proving how totally not sexist the average comicbook movie audience is

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nice

“Superhero movies SEXIST?? But the avengers had girlfriends!!”

shitpeoplesaytowomendirectors

If you care about comics, care about this.

andywarnercomics:

Samandal is a comics magazine based in Beirut, Lebanon, but they publish artists from all over the world. The first comic I ever had published by somebody that wasn’t myself appeared in Samandal #1 back in 2007. They’ve published 15 issues in three different languages, hosted international cartoonists, set up comics events in Beirut and acted as the anchor of a wonderful and thriving comics community in the Middle East. I was a guest editor on issue 11 in 2011 when I lived in Beirut. That experience inspired the founding of my own comics anthology, IreneSamandal’s editors are amazing people and artists. I’m lucky to call them my friends.

Samandal is in big, big trouble. Three of their editors lost a legal case brought by the Lebanese government that interpreted two out of context panels to be “inciting sectarian strife.” It’s utter bullshit. For a detailed story about the case, there’s a good New Yorker article that covers it.

The editors now face tens of thousands of dollars in fines for completely spurious charges. They’re raising money to try to stay in business. If they don’t raise enough, not only will the magazine be shuttered, but the editors could face jail time for nonpayment of their crippling fines.

Samandal matters. The Institute for Current World Affairs said: 

In the Middle East, Beirut is the vanguard of Arab comix. Samandal’s sixteen issues since 2007 have pushed artists in Egypt, Morocco, and Tunisia to follow suit. As Samandal’s coterie of artists experiment in Arabic, French, and English, the ‘zine has carved out space for scores of Lebanese graphic novels and other interventions across the region. 

The Hooded Utilitarian called Samandal “ground zero for Arab comics.” I love this art form, and wherever there is a group of people in this world making comics together, there is a light. Please, please consider donating to their fundraising campaign, even if this is the first time you’ve heard of Samandal. Don’t let this light go out.